www.jlabrahamprintmaker.com

J.L. Abraham is an Australian New Yorker, whose art has been focused on printmaking for the past decade. Over the course of that time she has worked in etching, aquatint, linocut, and woodcut, with an increasing emphasis on language-based geometric abstraction.

www.LindaAdato.com

lindajadato@gmail.com

Linda Adato was born in England and studied at Hornsey College of Art, UK. She immigrated to the United States in 1962 and went to the University of California at Los Angeles, where she received a MA degree in Art Education.

Adato has exhibited her prints throughout the United States and abroad.                                                                                                                                                                                                                                                                                                                                                                Her work is in the collections of the Achenbach Foundation for Graphic Arts of The Fine Arts Museums of San Francisco, British Museum, DeCordova Museum, Detroit Institute of Arts, Duxbury Art Complex Museum, Corcoran Gallery of Art, Mississippi Museum of Art, New York Public Library and other public and private collections. Among her awards are those from the National Academy of Design, NYC, Boston Printmakers, Audubon Artists and the Center for Contemporary Printmaking, Norwalk, CT.

Linda Adato was president of SAGA from 2007-2010.

Michael Arike, born in Oklahoma City, Oklahoma, has been long-time resident of New York. She earned her BFA at Oklahoma State University and studied at the Art Institute of Chicago, Fine Arts, Chicago, IL and the new School for Social Research, New York, NY.

Her many awards include the Karl A Schrag Award at the SAGA Print Exhibition, 2007, a First Prize at the 6th Annual National Small Prints Exhibition, Creede, CO, a Gold Medal in Graphics at the Audubon Artists Annual,2004, and The William H Leavin Prize at the National Academy of Design Annual, 2000.

Ms. Arike’s work has been included in numerous group and solo exhibitions both nationally and internationally and her work is included in the collections of the British Museum, London, UK, the Brooklyn Museum, New York, NY, the New York Public Library, New York, NY, the Nelson-Atkins Museum, Kansas City, MO, the Mississippi Museum of Art, Jackson, MS and the Portland Museum, Portland, OR.

www.davidavery.net

David Avery’s highly detailed black and white etchings on copper seek to connect a 400 year old traditional practice with the concerns of our modern predicament. In the past, prints were often used to address contemporary issues of the day, sometimes cloaking a pointed message in the trappings of classical mythological or religious themes. Avery repurposes these themes yet again to invite viewers to make their own connections between the follies of our present day and those of the past. His work has been included in over 200 competitive and invitational exhibits which have occasioned several awards, and he is included in the collections of the Library of Congress, the Fogg Museum at Harvard University, the New York Public Library, the Achenbach Foundation for the Graphic Arts, and the Stanford University Library among others. In addition, his work has been noted in the New York Times, the Boston Globe, and most recently was reviewed in the Washington Post.

Too Close to the Sun, 6 x 6” etching

Das Narrenschiff, 14 x 7” etching

The Last Roundup, 7 x 6 etching

www.ricabando.com

Rica Bando was born in Tokyo, Japan and moved to New York City in 1984. She studied lithographic printing at the Art Student’s League of New York and sculpting at the New York Academy of Arts.  Currently, she is working in a studio located in Dumbo, Brooklyn.  Her work has been exhibited in solo and group shows in the United States and in Japan. Collections of her work are held at The New York Public Library, the Hunterdon Museum of Art, and others.

www.martinbarooshian.org

Martin Barooshian is a leading American printmaker, innovating in color intaglio prints which he began producing in 1970. Barooshian studied printmaking in 1956 with the internationally renowned printmaker, H.W. Hayter. His early work was influenced by the Surrealists, Gaugin, William Blake and Gorky. His subject matter is frequently mythological but he also deals with current affairs as represented by his series of prints on endangered species, and an etching entitled "Olympic Hurdler" which was designed specially for the 22nd Olympiad.

larryBasky@yahoo.com

www.baskygallery.com

I received my BFA from Pittsburg State University in Pittsburg, Kansas in 1966 and later my MA from Adams State University, in Alamosa, Colorado. Ever since I pulled my first print in 1962, I have been hooked on the printing process. I work in many forms of printmaking---serigraphy, intaglio, relief, and mono-prints/types. My small editions are known to be colorful and detailed. My work is in several museums, corporate offices, and many private collections throughout the US and Europe. I also teach serigraphy workshops and private lessons.

William Behnken, born in 1943, has been a life-long resident of New York City. He began his formal studies at the High School of Music & Art and has an MA and BA from The City College of New York, where he has been teaching for over four decades. He has also taught printmaking and drawing at the Provincetown Art Association Museum Summer School from 1984 to 2000, and at the National Academy of Design School from 2000 to 2007, and has been an Instructor in Printmaking at the Art Students League since 1997. Mr. Behnken is an Elected Member of the National Academy of Design and of the Society of American Graphic Artists, serving as its president from 1997 to 2002.  His prints have won numerous awards among which are the Gold Medal of Honor from Audubon Artists,  the Ralph Fabri Award in Graphics from the National Academy, and Lifetime Achievement Awards from the Society of American Artists and the Art Alumni Association of The City College of New York. His work has been shown in many solo and group exhibitions both nationally and internationally and is in numerous permanent collections a selection of which are the Metropolitan Museum of Art, The British Museum, the Fitzwilliam Museum, the New York Public Library Print Room, the New Orleans Museum and the Mississippi Museum

    In my work I try to use the harmonious order of design and  the expressive characteristics of tonal values to give a permanent and memorable order to the fleeting moments of impressive, poetic, and emotional  experiences.

Of Land and Sea - aquatint

Manhattan Chiaroscuro - aquatint

The Embrace of Winter - lithograph

www.sherrysmithbell.com

Sherry Smith Bell creates innovative prints and mixed media drawings of houses, barns, doors, windows and nature.  Her art works use the tools of the artist: line, tone, color, ink, shape. Her art works are represented in many museum, university and private collections. She is a member of the Women’s Environmental Artist’s Network, The California Society of Printmakers, The Society of American Graphic Artists and the Los Angeles Printmaking Society.

jaboot@gmail.com

www.jeanaboot.com

Jean Allemeier Boot resides in Michigan where she maintains her own print studio and practice as a fine artist.  She originally pursued a medical career, worked in the hospital microbiology lab, then returned to school to earn an art degree.  Living in an environment rich with trees and water, the landscape has become a vital part of Jean’s spirit.  LaFontsee Galleries, representing her work in Grand Rapids, Michigan, states, “Her prints and drawings reflect this initial connection to biology and nature, her complex renderings skillfully illustrating the power of nature on a small, intimate scale.”  Jean’s work has been displayed in state, national, and international exhibitions.

www.dougbosley.com

Douglas Bosley graduated from Western Washington University in 2009 with a bachelor’s of fine arts in printmaking and earned an MFA from the University of Wisconsin – Madison in 2012. His work has been included in numerous juried shows nationally and internationally in China, Italy, Japan and New Zealand. He is a recipient of several awards including an Illustrators of the Future award and was awarded first place in the prestigious National Society of Arts and Letters National Competition in Printmaking for 2013. His work is held by several collections including the Southern Graphics Council Print Collection and Archives and the Wisconsin Union Art Collection.

www.sandracardillo.com

In my work I like to combine various printmaking techniques, using the plates as a vocabulary to express my inner vision. I find beauty in the structures and textures in my surroundings and look for the magical in the mundane.

Parallax View I, 11 x 19” woodcut, collagraph

Moonlight Reverie, 14 x 11” woodcut, collagraph, collage

Earth Elements I, 16 x 11” woodcut collagraph

liz@lizchalfin.com

I’m interested in people - alone and in groups, especially in public gathering places like fairs, parades, museums, transit stations, beaches, shopping malls.  Initially, I’m attracted to the form of the figures, and the feelings a particular posture evokes or the way a group of people form an abstract organic shape as the edges of their bodies merge into one form.  I’m interested in how individuals place themselves in groups, how they create solitude in multitude.  

I think of my art practice as a collaboration between my creative impulses and the techniques I love so much.  I don’t think I could express myself the way I want to without the intervention of the etched copper plate, or the digitally manipulated drawing.  The process mirrors the content - it’s very much about what we choose to retain, what we let slip away, what we bury, how we build memories and construct narratives.

www.joanchiverton.com

@joan_chiverton

I love New York City and have been creating work that captures the city, its people and its music.  I grew up in New York City. My dad Albert Pels was a fine artist, my mom was a writer. I was an award winning art director with ad agencies in the city and then in upstate NY where I raised my three amazing children.

When I returned to New York in 2003, I returned to my first love, drawing. I’ve been painting and illustrating since then for the NY Times, Wall Street Journal and numerous other publications and galleries. Jerelle Kraus in her book All the Art That’s Fit to Print (And Some That Wasn’t) says Joan is a gifted quick sketch artist.

I also went back to school (School of Visual Arts) and discovered etching, monoprints and silkscreen printing. Etching is my favorite. I’m always sketching and started to sketch from life on etching plates at concerts and in jazz clubs or adapt my sketches to etching images (so musicians would not be reversed or left handed). I’m very excited that a series of my musician etchings are represented by The Old Print Shop.

Teaching at:

 FIT (Fashion Institute of Technology), Harbor VA Hospital, privately and with special programs at Bard Graduate Center Gallery

 Exhibitions include:

 The Society of Illustrators, exhibits including Solo Show, Sequential Show, Landmark Show, US Air Force Exhibits and more
 Pen and Brush Incorporation of Artists on the Move, Taller Boricua Gallery and Borough Presidents Office
    JVC Jazz Festival Special Event - Mood Indigo: Citibank’s Choices, Challenges & Triumphs  
    Society of Publication Designers, Spot Illustration and Society of Illustrators Annuals
    Sacred Gallery - etchings
    Monmouth Museum - etchings
    Curate NYC 2013 - etching
    Mehu Gallery Prints andDrawings - etchings and monoprints 2013-2015
    National Veterans Art Museum - documenting patients, Harbor VA Hospital Prosthetic Dept 2015
    The NY Society of Etchers @ National Arts Club 2014 & 2015 SAGA 2015

Affiliations include:

Society of Illustrators - Board Member
    NY Cancer Society and Animal Medical Center - Organize & sketch dogs at fund raising events
    Harbor VA Hospital - volunteer teach art and document patients in prosthetic dept  
    US Air Force - documenting missions
    The Ink Well Foundation - working with children in hospitals
    SAGA- Society of American Graphic Artists, new member 2015

www.dorothycochran.com

Instagram: dorothycochranart

Dorothy818@gmail.com

Dorothy Cochran is an accomplished printmaker, acknowledged for her expertise and broad command of multiple print methods. As a classically trained printmaker, she has used this foundation to explore innovative ways to make prints and at the same time maintain a high level of craftsmanship demanded of a professional printer. She has an MFA in painting and printmaking from Columbia University School of the Arts and works in her well-equipped print studio in New Jersey.

She has received two New Jersey State Council on the Arts Fellowships and is represented in important collections such as The New York Public Library, The Free Library of Philadelphia, The Museum of Modern Art, the Georgia Museum of Fine Art and the Zimmerli Art Museum of Rutgers University to name a few. The Print Club of NY has chosen her work to be represented in their 2018 Artists’ Showcase.

Ms. Cochran has exhibited extensively throughout the country in museums, universities and galleries and was recently awarded First Prize at the 11th International Miniature Exhibition at The Center for Contemporary Printmaking in Norwalk, CT, by Freyda Spira, Associate Curator of Prints and Drawings at The Metropolitan Museum of Art. Jennifer Farrell, also of the Metropolitan Museum and David Kiehl of the Whitney have selected her works for exhibitions at two international print exhibitions at Manhattan Graphics Center, NYC in the past two years.

Commenting on her work she states: “Combining old techniques with new materials always pushes my work to become more than it has been, clarifying themes I have worked with throughout my professional career. I explore imagery that evokes natural rhythms, generates spiritual references and investigates the ethereal quality of light and atmosphere. I consider the gesture of my hand essential to my work, affirming my concept of printmaking as a fluid, expressive medium.”

“Beginning” 6 x 6” silk aquatint

“Overflow” 11 x 4” silk aquatint

“Primordial Source #1” 6 x 6” silk aquatint

www.coutantgodard.com

www.oldprintshop.com/cgi-bin/gallery.pl?action=browse&creator_id=17832

coutantgodard@aol.com

Véronique Coutant-Godard is a New York artist born in France.

Her artistic education was acquired in France (Ecole des Beaux Arts), in South Africa (Pottery Studio in Johannesburg) and in the United States (Art Students League in New York City). It spans painting, engraving and design.

Ever since she moved to New York, she has been specializing in printmaking, linoleum cuts, and monotypes.

Her art work is inspired by several experiences she has had, traveling from Europe to Africa, then to North and South America.

She is very receptive to colors, lights and textures, so each time she discovers a new site, she collects and registers all of these sensations in her mind to feed her future work.

Some of her art is currently owned by private collectors in the United States, Switzerland and France. It is also in the collections of the New York Public Library, the New York Art Students League and The Print Club of Albany and National Museum of Printmaking.

She is also represented by The Old Print Shop in New York City.

www.cathiecrawford.com

My work celebrates the extraordinary moments of my life. I seek to capture the truth and beauty of my subjects. Deeply enamored with the ever-changing hues of water, sky and land, I use color for its emotional impact. I have always been especially attracted to water, seeking it out for its restorative powers. On a symbolic level water represents a powerful life-giving force -- a source of replenishment and rejuvenation.
  Some images deal with a particular feeling or emotion I have toward my immediate environment.  Monsieur Blanc n'est pas blanc is a close up view of my very small water garden.  The perfect ecosystem within this one by three foot garden planter mirrored the interconnectedness of the universe.  Likeness of Being is of a Florida heron and his reflection in the water. A trip to Thailand and an interest in Buddhism as well as contemporary Theology evolved into Sab pan yu (Thai for the Enlightened One).

mdicerbo227@gmail.com

http://www.oldprintshop.com/cgi-bin/gallery.pl?action=browse&creator_id=11

Michael Di Cerbo was born in Paterson, New Jersey in 1947. He attended Pratt Institute where he received a BFA in 1971 and an MFA in 1973. He currently lives in Manhattan and is curator of 20-21st Century Art at The Old Print Shop in New York City. He is represented by The Old Print Shop and the Graphic Studio Gallery Dublin, Ireland. His work is included in the permanent collection of The Museum of Modern Art; British Museum; Victoria-Albert Museum; National Gallery, Washington D. C.; National Academy of Design, New York Public Library; Brooklyn Museum; and Detroit Institute of Art, among others.

The concrete, steel and glass of the American city are sources of inspiration for Michael Di Cerbo. He has turned his sense of urban grandeur into geometry of forms; patterns of light and dark that allude to the soaring architecture of skyscrapers. One sees the city from the perspective of both ant and eagle, buildings reaching endlessly upward or falling away to infinite chasms below. The images, though devoid of people and any overt sign of life, create an ambiance of mystery. We find ourselves alone in Michael Di Cerbo's compositions as observers of a cityscape that reflects a sense of timelessness.

jerleah@aol.com

http://www.joeessig.com

Receiving his BFA at the Philadelphia College of Art and his MFA at the Tyler School of Art, Joe Essig has received numerous prestigious awards and his work appears in many private and museum collections. “My prints show my relationship to the changing face of the Brooklyn waterfront, where I have worked among a community of artists and factory workers for over twenty years. I am drawn to subjects like the Brooklyn Navy Yard. As I study the area at a particular time of day, I see mysterious countenances stepping out of a different age. My etchings utilize a la poupee inking and interpretive wiping to create abrupt contrasts and atmospheric effects to create dramatic moments.”

www.alinefeldman.com

Ms. Feldman was born in 1928 and grew up in Kansas. She attended Washington University (St. Louis) and cites Werner Drewes (design) and Fred Baker (printmaking) as major influences there.

At Indiana University, she studied painting and did graduate work with Seong Moy. Later she studied woodcut with Unichi Hiratsuka, Sacred Treasure. Professional exhibits began at the Corcoran Gallery of Art in 1979. Ms. Feldman has exhibited in Maryland and across the United States as well as in Europe, Australia and China. Solo Exhibits include New York, London, Washington DC, Baltimore, St. Louis, Honolulu, North Carolina and West Virginia.

Her aerial and panoramic views, urban and pastoral, reside in museum collections at the National Museum of Art, Library of Congress, Worcester Art Museum, Contemporary Museum in Honolulu, Honolulu Academy of Art, Springfield Art Museum, Nelson Atkins Museum of Art, McNay Art Museum, Duxbury Art Complex Museum, Mt. Holyoke Art Museum and the Museo de Arte Moderno in Buenos Aries.

www.csfitzsimonds.com

Born and raised in Virginia, Carol graduated Phi Beta Kappa with a degree in art from Hollins College. She married a career military officer and moved so often she was termed “a traveling printmaker” in one newspaper article about her career. Carol has continued to study taking design, drawing, and printmaking classes at Olympic College in Bremerton, Washington, and the Art League School in Alexandria, Virginia, and workshops with master printmakers such as Carol Wax, Dan Welden, Daniel Heyman, and Nathan Kanofsky.

www.leeannframe.com
Norris Creek Printmaking Studio

Lee Ann lives where she was born and reared, near the shores of Lake MI.  She is the founder of Norris Creek Printmaking Studio and currently teaches at Muskegon Community College.  Lee Ann’s formal art education began at Grand Valley State University, MI (BFA) and at Kendall College of Art and Design, Michigan (MFA).

“I find sanctuary in nature, my most common theme–and the indelible marks of daily life subconsciously come through in my prints.  Occasionally I begin a plate working directly from nature, then resolve it in the studio, attempting to retain the spontaneity and freshness of patterns and textures that lured me out of the studio.  In my other prints one can easily see common objects take on new meaning, a marble that holds a landscape, a worn marble bag that is posturing like a figure.  Once the first mark is made, it becomes a collaboration between myself and the plate.  Layers, surface textures evolve, irregularity and imperfections–like life, eventually find meaning and place.  I work in hand pulled multi-print media techniques of intaglio, woodblock, and lithography.”

Lee Ann’s exhibitions:

She has had prints juried into over 100 International, National, Statewide, and Regional exhibitions, including; 2nd Annual New York Miniature Print Exhibit Manhattan Graphics,NY, NY; 2011, Boston Printmakers North American Print Biennial; The Old Print Shop Gallery, NY, NY;  Art Students League, NY, NY; International Society of Experimental Artists, Florida, California and Wales, England; All Media Exhibition, Ann Arbor, MI; MI Arts All Media, Holland, MI; 86th Regional Exhibition, Muskegon, MI; All Michigan, Muskegon Museum of Art; ArtPrize, Grand Rapids, MI.  

   
Affiliations Include:

Society of American Graphic Artists
South West Michigan Printmakers
International Society of Experimental Artists, Nautilus Fellowship Member
Mid American Print Council

           
Representation:
117 Gallery, Ann Arbor, MI
Art Cats Gallery, Lakeside, MI
Muskegon Museum of Art Store, Muskegon, MI

Kathleen is a printmaker and painter who grew up in New York City. Her prints are biographical and reflect her love of the city and escapes to beach. In my prints and paintings I like to capture the changing sunlight and shadows of an ordinary day as they fall on old houses and city buildings.

Her prints have been exhibited in local and national galleries and museums. Some museum collections include: the Museum of the City of New York, Philadelphia Museum of Art, De Cordova Museum, MA and others.  Some corporate collections include: PepsicoCo Inc., Cushman & Wakefield, Citibank NA and Warner Communications and others.

Kathleen is also teacher; she taught art for 25+ years in Westchester and New York City. She has taught printmaking as an adjunct instructor at Herbert H. Lehman College and the College of New Rochelle, and she is a visiting artist with Arts Westchester.

ericgoldberg.net@gmail.com

www.ericgoldberg.net

Eric Goldberg was born in Bridgeport, Connecticut into a family of artists. He studied at Parsons School of Design, The New School and NYU. He taught painting, printmaking and drawing at colleges and universities for over thirty years. He currently works and lives in Philadelphia, Pennsylvania.

Eric’s work is held by many private, corporate, public collections and museums. Most recently a number of his works have been added to the collections of The National Museum of Fine Arts of The Republic of China, The Sakima Art Museum, Okinawa, Japan, The Tokyo Metropolitan Art Museum and The Boston Athenaeum. Many of his works can be seen at The Old Printshop in New York City.

Thoughts about my work:

I am an etcher. I draw on plates of copper with a needle of steel. Drawing has a tactile directness that connects the mind and the hand. It is a two-way connection where the drawing evokes thought and thought evokes drawing. An unintentional gesture of the hand can change the concept in a direction that the mind alone would not have traveled.

 Etching on a copper plate is, by its very nature, a process with many steps from its beginning through its completion. It is a process that is well suited to my way of working. I am able to resolve a drawing that evolves as it develops.  Values and forms, can be decided, resolved and executed during the drawing. As I work, the patterns, made from lines, cross lines and stipples become spontaneous. Patterns and values can be built and enhanced by the layering of successive etches. When the plate is inked and printed, the inverted image becomes an entity onto itself; the whole greater than the sum of its parts.

www.dongorvettgallery.com

These woodcuts express the abstract geometric shapes and distant configurations of our architecture in the Northeast. Upon the sea waters of estuaries and harbors, mirror the play of interweaving lights and darks of buildings and piers crowned by steeples and mast tops. I am fascinated by the ghostly quality of these buildings looming out of the mists, endowed with strength and endurance.

For me, historic architecture represents a bridge between one life-span into another. Abandoned not by time, but by those who built them, our structures remain and continue to wage war with nature’s elements.

www.richardhricko.com

Richard Hricko's work presents composite views that honor nature, industry and the course of growth and decay. He has exhibited work nationally and internationally in museums and galleries as well as completing residencies in Australia, New Zealand, and an upcoming residency in Denmark. Richard holds a BFA from Rochester Institute of Technology School of Art and Design and an MFA from Tyler School of Art. He lives and works in Philadelphia, PA where he maintains a studio out of the Crane Arts Building and is a professor at Tyler School of Art. 

Growth VIII, Woodcut on Kitakata, 48"x24"

Root II, Woodcut on Kitakata, 48"x24"

Clematis VII, Copperplate Photogravure on Somerset Satin, 20"x15"

http://www.jhubbardprints.net

I enjoy carving furrows into cork and hearing the hissing viscosity of ink as I roll it across the block. The sequential & layered nature of printmaking is the perfect means for building my personal grammar. I relish the surprise of pulling a print from the press & discovering that the image & paper have become one. I appreciate the evolving, organic process of bringing my subject to life.

Subjects include diverse flora & fauna or landscapes from home & travels. My prints are conceived to provide a soul sanctuary where the viewer may contemplate the pulse & poetry of nature~ transformational patterns within land, water, & sky. My art is both idealistic & romantic, traveling a trajectory of my personal experience & perspective.
My permanent home in Indianapolis, Indiana. Summer home is Rustic, Colorado.

http://www.su-lihung.com

Su-Li Hung was born and educated in Taiwan. She is a printmaker, a painter and a writer. Su-Li has been making her woodcut prints for over forty years. She has won numerous awards, including a number of purchase prizes and gold medals. Her work is in 30 museum collections. These include the Fogg Museum, Library of Congress, British Museum, and Cleveland Museum. She is represented by and has exhibited with The Old Print Shop and June Kelly Gallery. In winning a purchase prize at the Delta Print Exhibition, 2010, juror David Kiehl, curator at the Whitney Museum called her print, “Palm Leaf”; “Noteworthy…, It is the cropping of the image and the sensitivity of her cutting that breathes life into this image.” Su-Li Hung has written 31 books that have been published in Taiwan, including books of poetry, essay, short story and has illustrated children books. Her work can be seen at, http://www.su-lihung.com, http://www.oldprintshop.com,

Sourcing imagery from my native Taiwan, I create images that often have a narrative quality: "Little Girl's world" (2014) tells the story of my granddaughter's poetic existence.

Only using the medium of woodcut in printmaking, I innovate by using contemporary techniques and approaches, combining oil based and water based ink.  "Sunset On George Washington Bridge" (2014), is black oil-based ink on top of pink water-based ink.

I very much like black&white it has a simple, clear, basic woodcut vision. In "Palm Leaf"(2009), the dynamic cutting lines created the little wind in the waving palm leaf; delicate and powerful.

Woodcut for me is like carving a two dimensional woodcut sculpture.

www.artofmarthaives.com

After graduating from Antioch College with a BA in Art, Martha spent her career in the fields of advertising and publishing, designing promotional material and illustrating children's books, greeting cards, and book jackets on a freelance basis. In 2008, Martha enrolled at the Art Students League and immediately fell in love with printmaking. Her work ranges from etchings and lithographs to linocuts and white-line woodcuts. Martha enjoys inking and hand-pulling her own prints.

jreidjackson@yahoo.com

http://www.jaynereidjackson.com

A native and lifelong resident of Wisconsin, Jayne attended the University of Wisconsin-Milwaukee and the University of Wisconsin-Madison.  After joining a private local print workshop in Madison, AGB Graphics, she began her work in intaglio, mezzotint and monotype.  She is entirely self-taught in the mezzotint technique and is known internationally for her mezzotint work which uses still life elements to examine light, reflection and repetition. Her work has been consistently accepted into national and international print shows and she is a member of five print societies across the US along with several regional art associations.  She has exhibited regularly in group exhibitions with these organizations along with numerous juried shows.  As a member of the International Mezzotint Society, she has coordinated the annual member's print exchange since 2000.  Her mezzotints have also been a part of the International Mezzotint Festival biennial held in Ekaterinburg, Russia since its inception in 2009.  Her works are included in the collections of the Ekaterinburg Museum of Fine Art, the University of Wisconsin (at Madison, Marshfield, and LaCrosse), the University of Minnesota, Loyola University Chicago, and others.

www.babettekatz.com

www.stevenkatzart.com

skatz26576@aol.com

Robert Kipniss is a well-known painter and printmaker, who has been creating art most of his life. His parents were artists and encouraged him to draw at an early age. Independent and stubborn he disliked receiving instruction on how to work. When his mother encouraged him to study at the Art Students League he would only sign up for a class with a model but no instructor. After graduating high school he went to study at Wittenberg College (now university) in Springfield, Ohio. While there he decided to study literature and become a poet. In 1950 he transferred to the University of Iowa to complete his degree in literature, but he also took a painting class.

In 1951, he entered a painting competition in New York City and was awarded his first one-artist show in a 57th Street gallery. In 1967 he made his first prints, which were drypoints. In 1968, he began making lithographs, creating over 400 images between 1968 and 1990. Since 1990 his printmaking has been almost exclusively in intaglio with the majority being mezzotints. Kipniss prints are in over 70 museums worldwide and numerous private collections, and since that first show in 1951 he has had more than 180 one-artist exhibitions. He has been elected to the National Academy in New York and The Royal Society of Painter-Printmakers in London.

He is a member of the National Academy of Design, The Century Association, and the Royal Society of Painter-Printmakers, London.

Joanna Klain

papermad@gmail.com

Joanna Klain is known for black and white intaglio with recognizable imagery utilizing dramatically patterned spaces. Recent prints and collages add color as veils or accents.

“My work is about my interior life and is subjective. Images arise laden with thoughts and sometimes peculiar juxtapositions. I follow these visions and rarely bend to the influence of my surroundings.”

Klain has a BFA in Fine Art from Ohio University. Her work is in many private and public collections in Australia, Canada, Great Britain, Mexico, The Dominican Republic, and the USA.

akornbluthprints.com

Curve - etching and aquatint, 2013 7.5" x 9”

Cross Bronx Expressway - etching and aquatint, 2016 11.5" x 18”

The Way We Live Now - etching and aquatint, 2017 12" x 18”